excellent results for the first meeting of the "Created by" organized by SACT and sponsored by the Roma Fiction Fest.
feedback on several fronts.
First participation.
The meeting registered a strong presence on the part of fellow writers of all ages, from beginners to the most experienced.
But the thing that made us even more pleasure was record the strong participation of the structure of story editing Mediaset, which has demonstrated sensitivity and interest in the subject. There was also some story
editor of the RAI, albeit much smaller.
Second meeting
Ashley Pharaoh has responded fully to the questions that were asked by moderator Mark is English, both by writers who were in the audience. He recounted the path that led him to fill the role of writer / producer of his series and has satisfied the curiosity of those present, describing the relationship between networks, British TV producer and writer in the experience and fostering the certainty that the presence of a writer in various stages of production is not only useful but, now and ever more necessary .
Details meeting will be published shortly on the website of SACT with a small video montage of the event. But the sense of responsibility of the role of the writer and the need for a "weight" in the entire creative project, it's all in the sentence that gives the title to the post, an illuminating phrase spoken by Pharaoh during the meeting: "It is not a question of power, is a question of influence ... "
( a note important )
Third, the great absent or producers
In writing the post, we completely forgot to point out one thing. If the meeting saw a large turnout di scrittori ed editor, non possiamo dire lo stesso circa la presenza dei produttori. La cosa fa riflettere, soprattutto per la mancanza di lungimiranza.
Prossimamente pubblicheremo un post dedicato al Fiction Day e alle dichiarazioni di Scheri che ha ufficializzato quello che si sapeva già da un po'. Mediaset taglierà il budget della fiction del 30%. La fiction non è più vista come un investimento strategico e questo in netta controtendenza rispetto al resto del globo.
Ma la cosa non ci sorprende, visto il modo in cui la fiction in Italia viene sviluppata e i risultati qualitativi (e di conseguenza numerici) che produce.
E i produttori, che soffriranno di riflesso le conseguenze dei tagli, invece di incoraggiare una "cura" ad un sistema viziato e ridare importanza alla fiction, preferiscono starsene a casa (o in ufficio) preparandosi solo a barcamenarsi.
Perché alla fine in Italia funziona così: la fiction si scrive e si produce "barcamenandosi".
Ma quando la torta da spartire diventerà troppo piccola, scenderanno amare e, ahinoi, tardive lacrime di pentimento...
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