second appointment for " Created by . This time to discuss the situation of the French television market was Frédéric Krivine ( Police Judiciaire, Anne Le Guen ), which premiered the first episode of its new serie Un Village Français , da lui scritta e prodotta per France 3 .
Dopo l'Inghilterra, quindi, la Francia , che ha un mercato ed un panorama televisivo molto simile a quello italiano. Anche la Francia è un mercato giovane , che è stato abituato per anni più ai formati da 100' che ai 50' anglosassoni. Ed è proprio questo il principale motivo della crisi che sta attraversando ora il prodotto autoctono francese .
" Con lo sbarco in prima serata delle fiction americane" , dice Krivine, "il pubblico è cambiato e la serie classica francese è diventata ben presto obsoleta."
Gli sceneggiatori e i network stanno reagendo, cercando di proporre un prodotto che si avvicini al linguaggio delle serie americane.
"Bisogna studiare il linguaggio del prodotto americano", aggiunge Krivine, "perché il nostro prodotto in confronto ad esso ne esce sicuramente perdente..."
Un Village Français va proprio in questa direzione, senza perdere un sapore francese. La serie, che racconta l'occupazione nazista di un piccolo villaggio, rispetta i canoni del formato da 50' ma senza scimmiottare i prodotti americani.
Krivine ha lavorato quattro lunghi anni al progetto e he did so in a particular role. He, like Pharaoh, he opened his own production company and became in effect co-producer of the series, giving you control over the final product .
Krivine has encouraged the writers to make this step and briefly described the attitude that, in his opinion, should have a TV writer:
"We must maintain a critical distance and create personal works."
are words that marry willingly.
In a private interview, in private, we had to talk about the role of director in TV (role also held by Krivine, in some cases) and explained to us how the rotation more directors along the arc of the series is not only useful but necessary .
'It's always a question of distance " told us Krivine, " If a director turn the whole series and even more seasons of the series, it ends up falling in love with the actors, the set of his way to shoot and lose sight of the story ... "
deserve a chapter of the compensation figures of French writers. Taking the example of a Village Français, an episode of 50 'has a total budget of one million euro and a writer takes between 30 and 35 000 € . If the total hourly cost is virtually identical to the Italian product (remember that A Village in costume Français) we can not say the same about the reward of writing.
Krivine has also elucidated on the contractual status of French.
"There is no national agreement but an agreement with the producers of Good Conduct", a sort of handbook that defines the working relationships and fees minimum.
is possible this is a hypothesis, a goal that the SACT feel that they can offer and that it hopes to achieve.
Latest line dedicated to participation, always very high. And signs of the strong presence of new editorial structures Mediaset and RAI . We hope that this presence leads to a moment of confrontation between writers and editorial structures, in order to regulate the fruitful and productive working relationship that binds us.
We just have to remind you that the third meeting will be held on June 15 always at the Casa del Cinema and will be devoted Paul Abbott (Shameless , Colcking Off and State of play). To mark the occasion will be shown an episode of Shameless .
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